Thu, 22 August 2013
This week on the Tales of a Red Clay Rambler Podcast I have an interview with ceramic artist Eva Champagne. Her hybridized biomorphic sculptures highlight the infinity variety and unifying order that occur within the natural world. She says of the work, "By synthesizing abstracted formal references to animals, plants and geologic sources, I create intentionally ambiguous ceramic sculptures that exist in the fluid margin between categories. My aim is toward something composite that will challenge the habitual presumption that the object must be either one thing or another in favor of a more open “both/and/maybe” interpretation of form."